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fl * The family history of the Amorian house is notoriously obscure.

(C. Mango) O o, o a a poxo op eec epaopa eoa (829842), o ooe, yacoaa e y ya a ea ecoca o acc, cyecye ooo oaa epaypa. B oce ee pe aye yep oc ee, o ec ae op eec ec copec ao, o acc e e yacoaa, c cop o ea pea e y e epaopo o ea epaypa y a.1 B acoc, y epc o epae poccc cce oae . Aoeo, o o ee coe oce e oopa o cox ox opoo ooopeca.2 Ocoe apy e aopa co c ce ye y: o-epx, acc e oa oac a op eec, y y, o- o y, cape eoa;3 o-opx, ca ao acc eoa a coa Coa a aoeee peco oopo (BHG 1128f), o y * a paoo po a o o p aca ao ca paa yoy ao apoc B. M. ype (epo oaxy pop), A.. yaey, B. A. apaoy, A. B. Mypaey, . A. Hocy, . B. Xpycaey A. M. ypy.

1 o o pe p epaec aop aoee o poo oopa o acc: I. ROCHOW, Studien zu der Person, den Werken und dem Nachleben der Dichterin Kassia (Berlin, 1967) (Berliner Byzantinische Arbeiten 38) 519.

2 . E. AHOEHOB, oec o poe epaopa eoa Topeco paoca (M., 2004) (Scrini m Philocalic m IV) 5556. Paee e a opa eec eoa pacc apaac cax oo e aopa: D. AFINOGENOV, The Brid-Show of Theophilos: Some Notes on the Sourse // Eranos (Acta Philologica Suecana) 95 (1997) 1018; . AHOEHOB,. AAOB, ee a o eoe: oe paoae // ee anucu Poccucoo paocaoo uepcumema an. oaa oocoa 5 (2000) 513.

3 o e apy e a . Poxo eoope pye cce oae, acoc M. D. LAUXTERMANN, The Byzantine Epigram in the Ninth and Tenth Centuries. A Generic Study of Epigrams an Some Other Forms of Poetry (Amsterdam, 1994) 109.

. . ae ce o ope ooceo copoc ceo paccaa.po e oo, cce oae cae, o eo, e eo opy, o oo pyoo coac oec coopae ; o o ace pa ax ao ca pacc apa e y y, ocoy cpe ee . Aoeoa oc ec acx copecx eee pe yeceo c o pe oecx aox epeco, acyae o eoo paoopa. . P e, o e . Aoeoa, c oe oc oaa, o op eec epaypa .6 O ao e oaaeca P ea e pe cac co y ye e .7 Bce ec cop o opax eec epaopo IX ea, o yep e P ea, y a: op eec ocaa VI, oca umuu c. apea Mocoo co epayp o, cooa Ho oce epaypoo ea;8 op eec Capa, ca epaopa Hopa, o oopo oecye Xpoopa eoaa coe a, p y a e o eoao, e o eope Ceo poco ea ca Hopa ea c eo e;9 op eec eoa y a oo AHOEHOB, oec o poe epaopa eoa 55.

O ey , o ao o xo ye o epc eoopo pe: pooepe BAEHTH ACMC, [pe. a:] . E. Aoeo, ocaooc apapxa ooopec pc Ba (784847) (M., 1997) // oococu Becmu 4 (2004) 497511.

AFINOGENOV, The Bride-Show of Theophilos 10; aoo e e o oaaecax . P ea p epaec M. aycep a.

B. Tpe o, oc oaaecy copoc opo eec o ey ca (W. T. TREADGOLD, The Bride-Shows of the Byzantine Emperors // Byz 49 (1979) 395413) e ao, oe a opapy ea P ea, oyoa oy paoy, e o ocaae co : W. T. TREADGOLD, The Historicity of Imperial Bride-Shows // JB 54 (2004) 3952. O ao, eo o apy ea e co oo pae caao y eo oee pax cax; ce yex, opoepx, o eo e, apy e P ea, Tpe o yo ae ox (p. 39, n. 3), o x oo aee oe y-o a e coye, a ocoo oope cea o poao op e cocee paccy e. Xo Tpe o ae aae ca, o copaec a oee ea oe a aay po copoc oypco eec, eo paoa ooo e a o apy ea , cca .

L. RYDN, The Bride-shows at the Byzantine Court History or Fiction // Eranos 83 (1985) 175191; . 181.

Ibid. 179180.

Scrinium II (2006). Universum Hagiographicum oaee, eax y epaopa-ooopa,10 .. Ho ae cce oae, ca epe opoco, oe y oy a pacca o ope eec oc aco epaype IX ea ce oce X ea, paec: e oy a ooo oea a o opoc,11 pe oaae, o ce ooe cocee ao o epaype.12 o, o ao, coepeo e oce, oe y eo IX ee oo coo epaypx ceo a ay e y, oe y aop xpo epe eo y a cop c opa eec o aaa o oa, a e ea ce coeo oecoa peae co.13 a eo ocpoe . P ea, a o , e ocaoo ye e. RYDN, The Bride-shows at the Byzantine Court... 188.

Ibid. 190.

Ibid. 191.

a oo , ap ep, cyae opa eec epaopa Mxaa III. B umuu c. p Xpcoa oopc, o oa a o o a ao, o oo aa pexa ope a op eec. . P e a eae ecoy apoax pax co p eae o, o ee yace ope eec ooe ec y o c e oaa, o oa, o ce po co opo ee, a ee pacae (RYDN, The Bride-shows 190). o ec a epoo, o oo coepeo e ce ye, o e o ca oo opa eec.

B cae I. SORLIN, La plus belle ou la meilleure Note sur les concours de beaut Byzance et dans la Russie Moscovite des XVIeXVIIe sicles //.

Mlanges offerts Hlne Ahrweiler (Paris, 1998) (Byzantina sorbonensia 16) T. II.

635650, aoo pacc apaec e a opa eec. . Cop a eae, o epaype apae, poe ee P eo e y cop o acx oypcax eec o cp caa po oyy, aeo e co oe , a oe oaac. po e oo, cce oaea o eae (p. 636) apae, eyc c. ocaa-pa, pocee ca: opace 7 e a co, e cpa copae cex eye opo a pe aae ocay pa opayc cee cypy; oca pae ca y pacy o e Co, . e. My poc.

. op a e, o xo pacca o y eco ce coc o e coe c. pop oocoa, acoc, o oo eo cxoope, o ao, a yaa ye . op, ao cyecee o e y cxoopee pop paccao . B cxoope ocycye o opa, a ee cpe eye opo a, copax cpao. B co ocaa a pcocoe yco IX ., o a pacpocpae ee a aae e oypc paco (. H. OP, Caae o aae caco c eoc (C., 2004) (Caca oea) 206). Ec yec, o umue c. ocaa o acao e y 880 . (c.: Ta e. 17), o e ee ee o o ocaoo paee yo ae o ope eec; a y oo, o o opa pae ye cyecoae y eceo epaypo y c oeco y oy . . ep o pe e oca coax ec op eec Capa, cococ, coaco Xpoopa eoaa coe a, 807 . ae ycpaa op eec, ec eoao a ye o oea , o- o y, e oe paca15 e oy eae cce oae o e pe o eae, o xpoc, paccaa o ope eec, e yaae, o oe Capa epaop Hop y a o oa. Ho ec, a yep ae . P e, xpoc p y a cop c opo eec oo, o ca Hopa c eo e,16 o oo o yo y o o, o o o aoe cpaoe oeco, e eoe eec ape . Bpoe, xpoc e yo ae o pe ecoae ope eec epaopa ocaa VI; o ao, a o ocoa ee e co oepa eo copoc. Co aa paccaa eoaa o ee Capa . P e aae o o : Hec op a o, o o a aca cope eo, coce e oxoe, o o a e .o cy apy e P ea co c yep e, o o e ep xpocy poco oo y, o e y e epc.

ae cce oae epexo o opo y ocao y coax epo y o pe e opy eec ocaa VI, cocoe yc 788 .; a o cop ocaoc e oo o poee.18 Heoo, oe y Ha, e oopo a ce, oe epe eo eo y a, ae ec o poco pe c ea coo coeo e a oo aca pacy cop.pa cypy My poc, oo pe oo, o oo o ao y ooe ocy peae co. Ta opao, o o umu c.

ocaa oe pacc apac a oceoe oaaeco oy oo, o op eec IX ee Ba eceo e eco. Oe yo ye ec pao B. Tpe o coe cae (The Historicity of Imperial Bride-Shows ) e yae.

RYDN, The Bride-shows 179. oe y eoao a e oe paca, ocaec ec ; epoo, aop eae ao o a ocoa co xpoca, o cpe yacoax oypce eec ee e e, pacee ee (Theophanis Chronographia / Ed. C. DE BOOR (Lipsiae, 1883) 483), o eoao a paa a coe cooe pocxo ee; o ao oo ee e ce ye, o oa a exopoa coo.

RYDN, The Bride-shows 179.

Ibid. 180.

Co , oee yo yo cae, P e oope o eap peco y a umu c. apea Mocoo: The Life of St. Philaretos the Merciful Written by his Grandson Niketas / Critic. Ed., Intr., Transl., Notes, Indices L. RYDN (Uppsala, 2002) (Acta Universitatis Upsaliensis.

Studia Byzantina Upsaliensia 8); o ae e ocaoc e ocy.

Ibid. 181.

Scrinium II (2006). Universum Hagiographicum o e P ea, Ha p aca umu oxoe o oa aopaec poe e ; o eo oxoeo a op eec e x coax. cce oae yopo aec oc ce pacca o opax eec epayp oa , pacc apa epoe o pe e oee aoo oa Xpoopa eoaa, pe oaae, o xpoc o oepy oxoee ocao xpoe oaa Maa cop o ee epaopa eo oc II; o ao, eoo, oe y a e cop e oa o a c epape pe ycpo op eec ocaa VI, o ye eo oce papa o o c oep apa Beoo ycpo e y ec pa c aco ee eco e a apao pecce.20 po e oo, ae umu c. apea o ea, o Annales regni Francorum o 819 o o oopc, o o aoec pa co ey inspectis plerisq e no ili m filia s, o o oo ao-o aaoe acoo opa eec.21 Ec o a, o oo pe oo, o ae epap p, ea o o ee, o pe ooe B. Tpe o a, po e ocppoa aa a a, o oa e x ycpo ecy ey coeo ca, eoopo po e y aac. o e . M. Xac, oo yep a, o e poe e c op oo oo epaopa ocaa 788 . ea coe e ce epcy poaa y o ca , oea apo o o po ae.22 Ec co xapaepcy, ay P. eco oce e y epaopy-ooopy: eo ceo po ao ,23 o oo caa, o a epaopc o Ba oe VIII IX ee ao po aecoe oepe. Bo oo, oo o cao co cec yoo, oop p a epaop-ooop p opo , cce e opaoa p.24 . Cop pe oaae, o pacc apae y oxy epaype ce, cae c cy o apca, o cpoopoa ecee ee p opx oax, cax c aee paa. a o pe oaae Tpe o : TREADGOLD, The Bride-Shows of the Byzantine Emperors 396397.

M.-H. FOURMY, M. LEROY, La vie de S. Philarte // Byz 9/1 (1934) 85170; c.

104, n. 4.

L. M. HANS, Der Kaiser als Mrchenprinz // JB 38 (1988) 3352; . 51.

R. JENKINS, Byzantium. The Imperial Centuries A.D. 6101071 (New York, 1969) 147.

C., ap.: G. OSTROGORSKY, Geschichte des byzantinischen Staates (Mnchen, 1963) 145.

SORLIN, La pl s elle o la meille re 641. B c c co a e, o, ap ep, c. apapx o a ce cecx aoe ca o. . . apo cae cop o ope eec epaopo o oe ac ocoep 26 a eae, o oypc paco oc Ba a pa o a, o a oe oppopo cao aoc oco c co : op eec, pocxo e c 788 o 882 ., oo cooecy epo y, o a ep [oppopo ] oec capapyec. M axo c a yo pe, poao exoae opaa , pa oopoo ocoo ocpoo c ooopeco. ec pa y c oec pa oo, o oy o aae o pea aep c ca o pepaco eo o ax.27 Ta opao, apo ap y cae oee oypco eec c e ooopecoo epo a. cce oae a eae, o ea oppopo oo ( coceo c ce c ce c oeco, a o aaa ocpacoe poe ee, a po a Axa Ta ea oo.

xo o coe oee oe y opaeo a ee peay epcooc opooc ce (o ec 87), eo cope e e Mae a aca a y e y pa y, oyy po a aeopec, oe ooeo c ce epo aoo poecoo po aa caoc ec ye opaa eo y p; c.: Anthologia Graeca / Ed.

H. BECKBY (Mnchen, 1975) T. 3. 124; o pa eoc o pa y Mae ay c : P. LEMERLE, Le Premier humanisme byzantin. Notes et remarques sur enseignement et culture Byzance des origins au Xe sicle (Paris, 1972) (Bibliothque Byzantine: tudes 6) 169; a. ep.: P. LEMERLE, Byzantine Humanism.

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